![]() |
|
|
|
|
Makeup
Supply Shopping List |
|
|
|
|
|
|
|
1. Start with a foundation
that provides a lot of coverage. The stronger the makeup, the better the foundation
cover needs to be. For white skins, unless instructed otherwise, choose a darker color
than you would use for smaller stages; it will contrast better with the highlights. The
stronger lighting on a large stage also drains the face of color. |
2. Now apply all the shadows
necessary to create the appropriate level of shading, plus any extras you may need to
improve facial structure. To reduce plumpness, draw a shadow along the edge of the jaw
line from ear to ear. To make the eyes stand out clearly, use cream eyeliner to emphasize
the socket shadow. |
3. Blend the shadows, but
leave the shading under the cheekbones and on the eye sockets quite clearly defined. Don't
overdo the nose shading or it will dominate the face. To see how it all looks, step well
back and assess the effect. Add more shading if needed, but remember the highlights will
strengthen its effect. |
|
|
|
|
|
4. Add the highlights, making
sure you use enough. To make the eyes much stronger, use highlight on the browbone instead
of shading. Soften the highlights carefully, but leave plenty of strength of color. |
5. Use a strong, pale cream
eye shadow on the eyelids to make the eyes look really large. It is difficult to get this
intensity of color in powder eye shadows. Powder the whole face very well, taking time to
do it properly. Add a dab of pearly shimmer to the center of each eyelid. |
6. The eye lines show trace a
rim around the eye socket, above the upper lid and below the bottom lashes. Be sure to
leave a clear gap between the top and bottom extensions to "open the eye. You can put
a little highlisth between them --- this is particularly helpful for narrow eyes. Do one
eye socket at a time and check its size. Deepen the socket shadow a little more and add
plenty of mascara. |
|
|
|
||
7. Add false eyelashes, if
desired, and define the eyebrows very clearly for facial expression to be seen from the
back of the theater. Apply more rouge than for smaller stages, but in the same color. Use
a strong, but not dark red, lipstick unless the mouth is supposed to be unmade-up. Outline
the lips with dark red to strengthen the shape, finishing with a little lip loss if
appropriate. |
|||
©
Champaign-Urbana Ballet
Site designed and sponsored by parent volunteers and corporate sponsors in cooperation
with the CU Ballet Board of Directors.